By Marta Robertson
Aaron Copland (1900-1990) is mostly thought of the preferred and famous composer of yank paintings track, and but little scholarly realization has been paid to Copland because the Fifties. This quantity starts with a portrait of the composer and an evaluate of vital study tendencies that's meant to fill a void and to signify instructions for extra learn. The consultant additionally offers a piece discussing Copland's interdisciplinary pursuits, resembling ballet and picture paintings, in addition to a finished bibliography of writings approximately Copland and his tune.
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Extra info for Aaron Copland: A Guide to Research (Composer Resource Manuals)
Interpreters and New Music See: “Interpreters and New Music” 3. The Dilemma of Our Symphony Orchestras See: “The Dilemma of Our Symphony Orchestras” 4. Shop Talk: On the Notation of Rhythm See: “On the Notation of Rhythm” 2. Music and Imagination. Cambridge: Harvard University Press, 1952. ix, 116 p. ISBN 0674589009 (cloth); 0674589157 (paper). C7. (Reprint—New York: New American Library, 1959. 127 p. ) PRIMARY SOURCES—COPLAND’S WRITINGS 39 Music and Imagination is the text of Copland’s six Charles Eliot Norton lectures, presented between 1951 and 1952 at Harvard University.
Also Reprint—With an introduction by William Schuman. New York: McGraw-Hill, 1988. xxiv, 307 p. ISBN 0070130914. C78W4. PRIMARY SOURCES—COPLAND’S WRITINGS 43 Also Reprint—With a foreword and epilogue by Alan Rich, introduction by William Schuman. New York: Mentor, 1999. xxxii, 266 p. ISBN 0451628802. ) In this book Copland instructed listener-readers in the elements and forms of music. The content was drawn from fifteen lectures that Copland presented at the New School for Social Research in New York, during the winters of 1936 and 1937.
New York: McGraw-Hill, 1939. xiii, 281 p. C78W4. (Reprint—New York: New American Library, 1953. 159 p. C78W4 1953. Also Reprint—Rev. ed. New York: McGraw-Hill, 1957. 307 p. C78 1957. Also Reprint—With an introduction by William Schuman. New York: McGraw-Hill, 1988. xxiv, 307 p. ISBN 0070130914. C78W4. PRIMARY SOURCES—COPLAND’S WRITINGS 43 Also Reprint—With a foreword and epilogue by Alan Rich, introduction by William Schuman. New York: Mentor, 1999. xxxii, 266 p. ISBN 0451628802. ) In this book Copland instructed listener-readers in the elements and forms of music.
Aaron Copland: A Guide to Research (Composer Resource Manuals) by Marta Robertson